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Architecture
Jan
22
Te Arai Beach House by Fearon Hay Architects
Edition
Weekend Retreat
under the patronage of
Off-the-Grid
under the patronage of
Alexander Zaxarov
Jan 22, 2021

Set between the forest and the ocean, Te Arai Beach House designed by Fearon Hay Architects manifests as a contemporary cabin in the woods.

Sited amongst the dunes and pine forests along the east coast of New Zealand’s North Island, is a pair of gabled timber sheds. The design references the timber working sheds found in rural New Zealand. The buildings are sited to create an occupation against the dune edge that feels relaxed and timeless. Between them is set an outdoor fire and area for seating.

To moderate light, air, view & privacy, the house is layered with sliding timber shutters. Together with the timber cladding and roof, the material will age and silver over time – integrating the buildings with the landscape. By using timber on the interior it brings together the building as a whole and blurs in indoors with outdoors. The interior timber is oiled to provide warmth as a subtle counter to the exterior.

Inside, a combination of slopping and flat ceilings provide both intimate and voluminous spaces. When the ceilings are raised, and slopping to the ridge, a dado of timber down-stands link the spaces and consolidate the glazing and shutter lines on the perimeter. Interiors were a collaboration with Sonja Hawkins.

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Alexander Zaxarov
January 22, 2021

Set between the forest and the ocean, Te Arai Beach House designed by Fearon Hay Architects manifests as a contemporary cabin in the woods.

Sited amongst the dunes and pine forests along the east coast of New Zealand’s North Island, is a pair of gabled timber sheds. The design references the timber working sheds found in rural New Zealand. The buildings are sited to create an occupation against the dune edge that feels relaxed and timeless. Between them is set an outdoor fire and area for seating.

To moderate light, air, view & privacy, the house is layered with sliding timber shutters. Together with the timber cladding and roof, the material will age and silver over time – integrating the buildings with the landscape. By using timber on the interior it brings together the building as a whole and blurs in indoors with outdoors. The interior timber is oiled to provide warmth as a subtle counter to the exterior.

Inside, a combination of slopping and flat ceilings provide both intimate and voluminous spaces. When the ceilings are raised, and slopping to the ridge, a dado of timber down-stands link the spaces and consolidate the glazing and shutter lines on the perimeter. Interiors were a collaboration with Sonja Hawkins.

Architecture
section is proudly under the patronage of:
John Pawson

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