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Amsterdam Guide
under the patronage of
SSAW22 by Duran Lantink
Hitoshi Arato
Dec 12, 2021

Duran Lantink destroys and repurposes the status items of late capitalism, turns them into sculptural assemblages of layered semiotics, and feeds them back to the high fashion market.

Duran Lantink is a Dutch designer based in Amsterdam. Having studied at the Gerrit Rietveld Academie and the Sandberg Instituut — graduating from the latter in 2017 — Lantink’s playful, inclusive vision for the future of sustainable fashion has already seen him shortlisted for the 2019 LVMH Prize. With his innovative approach to upcycling, Lantink’s zero-waste philosophy uses pre-loved garments and deadstock fabrics to create fashion as agenda-setting as it is ethical.

His signature cut-and-paste approach, commitment to sustainability and subversive sense of humor — he loves combining deadstock materials from rival brands — is radical in an industry obsessed with newness.

Lantink wanted to riff on the often clichéd ways in which sexuality is marketed in fashion, by revealing body parts that are “rarely seen”, he tells British Vogue. With previous collections, Lantink had focused on combining pieces to create layered looks that were fully covered up. “There was never a lot of skin shown.”

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Less, with more behind it.
Explore guides. Search the archive. Walk the atlas.
Become a Thisispaper+ member today to unlock full access to our magazine, advanced tools, and support our work.
Get two months FREE
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No items found.
Hitoshi Arato
Dec 12, 2021

Duran Lantink destroys and repurposes the status items of late capitalism, turns them into sculptural assemblages of layered semiotics, and feeds them back to the high fashion market.

Duran Lantink is a Dutch designer based in Amsterdam. Having studied at the Gerrit Rietveld Academie and the Sandberg Instituut — graduating from the latter in 2017 — Lantink’s playful, inclusive vision for the future of sustainable fashion has already seen him shortlisted for the 2019 LVMH Prize. With his innovative approach to upcycling, Lantink’s zero-waste philosophy uses pre-loved garments and deadstock fabrics to create fashion as agenda-setting as it is ethical.

His signature cut-and-paste approach, commitment to sustainability and subversive sense of humor — he loves combining deadstock materials from rival brands — is radical in an industry obsessed with newness.

Lantink wanted to riff on the often clichéd ways in which sexuality is marketed in fashion, by revealing body parts that are “rarely seen”, he tells British Vogue. With previous collections, Lantink had focused on combining pieces to create layered looks that were fully covered up. “There was never a lot of skin shown.”

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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Amsterdam Guide
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Narrow brick houses lean toward the canals, their gables mirrored in water that holds the grey northern light. Behind the glass, galleries hang new work, showrooms stage furniture like still lifes, and studios test ideas that never announce themselves too loudly. The design here runs experimental and quiet, more interested in the material and the joint than the gesture, a city that rewards the second look.
Brick facades leaning over dark water, where galleries and studios keep their experiments understated.
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