Italian photographer Arianna Lago’s work is a stunning exploration of the beauty in both the strange and the ordinary.
Drawing inspiration from her travels and the world around her, Lago’s compositions are a wonderful amalgamation of the contemporary and the nostalgic, the surreal and the natural. Her approach to art is characterized by an appreciation for imperfection and an embrace of the chaotic and arbitrary.
Growing up in Italy, Lago’s love for photography was sparked by her fascination with old family albums and the poetic nostalgia they imbued. Inspired by the colors and textures of the past, Lago’s compositions are a testament to her exquisite eye for detail and her commitment to the purity and integrity of the medium. Shooting primarily with analog cameras, Lago’s images have a painterly feel that sets them apart from the work of other photographers.
One of the recurring themes in Lago’s work is her fascination with nature. Through her lens, Lago captures the interconnectedness of the natural world, blending humans and natural elements to create a raw and free portrayal of the world around us. Her images are a celebration of the beauty and unpredictability of nature, and an invitation to pause and appreciate the world in all its imperfections.
For Lago, photography is an intimate and deeply personal experience. Her images are not simply a replication of other people’s visions, but a spontaneous and emotional response to the world around her. Fueled by her love of travel and her constant desire to see new things, Lago’s work is a testament to the beauty of surrendering to the moment, of letting go of control and embracing the unexpected.
Arianna Lago’s work is a wonderful tribute to the beauty of imperfection and the power of art to inspire and move us. Her compositions are a testament to the joy of living in the moment and appreciating the world around us, with all its quirks and idiosyncrasies. In an age of mass-produced images and artificial perfection, Lago’s work is a refreshing reminder of the beauty and spontaneity of the real world.
