Narrow brick houses lean toward the canals, their gables mirrored in water that holds the grey northern light. Behind the glass, galleries hang new work, showrooms stage furniture like still lifes, and studios test ideas that never announce themselves too loudly. The design here runs experimental and quiet, more interested in the material and the joint than the gesture, a city that rewards the second look.
Brick facades leaning over dark water, where galleries and studios keep their experiments understated.