In the realm of contemporary design, the pursuit of simplicity often becomes a complex journey. The Tana Series by New Works, designed by the astute architect Rikke Rützou Arnved, stands as a compelling narrative in this context.
This shelving family, devoid of the usual embellishments of modern furniture design, offers an intriguing study in the power of understatement. At its core, the Tana Series is a celebration of minimalism. However, it’s a minimalism that doesn’t scream for attention with stark, barren aesthetics. Instead, Arnved’s design language speaks in hushed tones of tranquility. The absence of handles or overt structural elements allows the viewer's eye to glide smoothly over the furniture, uninterrupted. This subtlety is what elevates Tana from mere furniture to a statement of design philosophy.
Each piece in the Tana Series is a harmonious blend of horizontal and vertical planes. The wall-mounted units, characterized by their straight lines and unblemished surfaces, offer a canvas of calm. The horizontal surface serves as a practical ledge, while the vertical part acts as a composed backdrop. This effortless encounter between the elements of the furniture accentuates the ethos of New Works – a brand that seamlessly navigates the confluence of traditional craftsmanship and contemporary design.
New Works, as a brand, has always straddled the delicate line between design and art. Their collections are a homage to Scandinavian craftsmanship, yet they daringly venture into the realms of modern design. The Tana Series is a testament to this duality. It pays respect to the heritage of materiality and skill, while simultaneously challenging the contemporary norms of form and aesthetics.
