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St Hilaire Church in Melle by Mathieu Lehanneur
Alexander Zaxarov
Jan 19, 2022

Mathieu Lehanneur has converted the choir with a stacked leyers of marble at St Hilaire church in Melle in the Deux-Sèvres department, France.

The white marble creates an homogenous mineral block formed from successive strata which seem to recall the sedimentary formation of the basement. The liturgical furniture (altar and ambo) is made from coloured alabaster, close to the colour of the original stone of the church. The result is a visual impact, one of Lehanneur's trade secrets, this time using the purity of the geological chaos to highlight the perfection of the Romanesque geometry. The complicity between the church and this mineral mass is completed by the baptistery hollowed out from the same material. The water that it holds appears to be from the river which runs below the church: the ultimate linking the building with its environment.

The designer has enhanced the Romanesque building with a very mineral look, a surge of white marble that he imagines "prior to the construction of the church. A mineral presence justifying that the church was built there. Reflecting the extreme care paid to the telluric energy of stones and territories in the building of Romanesque churches, this place of worship would have been built on this specific area for the discernable energy that emanates from it.

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Alexander Zaxarov
Jan 19, 2022

Mathieu Lehanneur has converted the choir with a stacked leyers of marble at St Hilaire church in Melle in the Deux-Sèvres department, France.

The white marble creates an homogenous mineral block formed from successive strata which seem to recall the sedimentary formation of the basement. The liturgical furniture (altar and ambo) is made from coloured alabaster, close to the colour of the original stone of the church. The result is a visual impact, one of Lehanneur's trade secrets, this time using the purity of the geological chaos to highlight the perfection of the Romanesque geometry. The complicity between the church and this mineral mass is completed by the baptistery hollowed out from the same material. The water that it holds appears to be from the river which runs below the church: the ultimate linking the building with its environment.

The designer has enhanced the Romanesque building with a very mineral look, a surge of white marble that he imagines "prior to the construction of the church. A mineral presence justifying that the church was built there. Reflecting the extreme care paid to the telluric energy of stones and territories in the building of Romanesque churches, this place of worship would have been built on this specific area for the discernable energy that emanates from it.

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