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Alexander Zaxarov
Oct 12, 2021

Paradise City by Sébastien Cuvelier is a personal search through both the contemporary and ancient landscapes of Iran to locate an elusive, dreamlike version of paradise.

The sheer concept of paradise is inherently Iranian. The word paradise comes from old Persian paridaida – meaning walled garden. It is therefore only natural that this word resonates in all corners of a country where history is full of nostalgia, people are deeply romantic and flowers are everywhere. The country’s young and connected population has had to constantly adjust its way of living since the 1979 revolution, in order to circumvent the limitations imposed by the Government. They seek paradise, but are unsure where to look.

Sébastien Cuvelier attempted to reflect this pursuit of paradise through metaphorical, fleeting and illusive images – each appearing like a piece of an intangible jigsaw combining what once was or could be, with the present. Paradise City shows glimpses of contemporary Iran through the eyes of the people he met – at times romanticised, nostalgic or even utopian.

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Alexander Zaxarov
Oct 12, 2021

Paradise City by Sébastien Cuvelier is a personal search through both the contemporary and ancient landscapes of Iran to locate an elusive, dreamlike version of paradise.

The sheer concept of paradise is inherently Iranian. The word paradise comes from old Persian paridaida – meaning walled garden. It is therefore only natural that this word resonates in all corners of a country where history is full of nostalgia, people are deeply romantic and flowers are everywhere. The country’s young and connected population has had to constantly adjust its way of living since the 1979 revolution, in order to circumvent the limitations imposed by the Government. They seek paradise, but are unsure where to look.

Sébastien Cuvelier attempted to reflect this pursuit of paradise through metaphorical, fleeting and illusive images – each appearing like a piece of an intangible jigsaw combining what once was or could be, with the present. Paradise City shows glimpses of contemporary Iran through the eyes of the people he met – at times romanticised, nostalgic or even utopian.

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