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Ebbing away of Identity with the Tides by Sushavan Nandy
Alexander Zaxarov
Apr 9, 2020

Sushavan Nandy’s haunting series highlights the effects of rising sea-levels on the Sundarbans region in India

Sushavan Nandy experienced the devastating effects of flooding first hand, as a child living in Jalpaiguri in North Bengal, India. Due to repeated floods in the 1990s, he and his family were forced to leave what remained of their home and relocate to Kolkata in 1996. “It not only affected the landscape and our property, it affected our human lives and relationships,” says Nandy, who was reminded of these struggles during an assignment in the Sundarbans, a cluster of low-lying islands in the Bay of Bengal, spread across India and Bangladesh.

There, rising waters caused by climate change is slowly drowning its coastal communities, and recognising the same disruption that Nandy experienced as a child, the photographer decided to begin a long-term personal project.

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Alexander Zaxarov
Apr 9, 2020

Sushavan Nandy’s haunting series highlights the effects of rising sea-levels on the Sundarbans region in India

Sushavan Nandy experienced the devastating effects of flooding first hand, as a child living in Jalpaiguri in North Bengal, India. Due to repeated floods in the 1990s, he and his family were forced to leave what remained of their home and relocate to Kolkata in 1996. “It not only affected the landscape and our property, it affected our human lives and relationships,” says Nandy, who was reminded of these struggles during an assignment in the Sundarbans, a cluster of low-lying islands in the Bay of Bengal, spread across India and Bangladesh.

There, rising waters caused by climate change is slowly drowning its coastal communities, and recognising the same disruption that Nandy experienced as a child, the photographer decided to begin a long-term personal project.

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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Climate emergency photography fails when it tries to perform urgency at the speed of news. Climax collects work that does the opposite — Hatakeyama's return-photographs at Rikuzentakata, the slow record of thawing permafrost, salt lakes drying to outline, olive groves erased into parking, skies emptied of stars. Less argument than archive, less urgency than memory.
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