Thisispaper Community
Join today.
Enter your email address to receive the latest news on emerging art, design, lifestyle and tech from Thisispaper, delivered straight to your inbox.
Oops! Something went wrong while submitting the form.
Instant access to new channels
The top stories curated daily
Weekly roundups of what's important
Weekly roundups of what's important
Original features and deep dives
Exclusive community features
Zuzanna Gasior
Dec 29, 2022

Straddling between art and object design, Audrey Large practice explores the potential of digital image manipulation processes applied to the design of our material surroundings.

“I’m interested in playing with digital aesthetics in a materialized object.”

In a context of exponential digitization, she positions her practice in an interdisciplinary form of design that uses digital cinema as a field of research to rethink object design methodologies. By bridging film making techniques with digital-to-material manufacturing processes her work seeks to define the keys to a new materiality.

The sculptures were shown at Nilufar Gallery as an exhibition called Some Vibrant Things during Milan design week. Large created the sculptures by drawing shapes by hand on a digital tablet, after which she 3D-printed the physical polylactic acid (PLA) sculptures that intend to represent 2D digital forms seen on-screen. Presented in iridescent shades of bright green, yellow and purple, the sculptures are ambiguously shaped, with a liquid-looking texture that resembles molten lava.

In order to discover the new digital space dedicated to Audrey Large's solo show explore SCALE TO INFINITY.

No items found.
Join +
We love less
but there is more.
Become a Thisispaper+ member today to unlock full access to our magazine, advanced tools, and support our work.
Travel Guides
Submission Module
Print Archive
Curated Editions
+ more
Buy now
No items found.
Zuzanna Gasior
Dec 29, 2022

Straddling between art and object design, Audrey Large practice explores the potential of digital image manipulation processes applied to the design of our material surroundings.

“I’m interested in playing with digital aesthetics in a materialized object.”

In a context of exponential digitization, she positions her practice in an interdisciplinary form of design that uses digital cinema as a field of research to rethink object design methodologies. By bridging film making techniques with digital-to-material manufacturing processes her work seeks to define the keys to a new materiality.

The sculptures were shown at Nilufar Gallery as an exhibition called Some Vibrant Things during Milan design week. Large created the sculptures by drawing shapes by hand on a digital tablet, after which she 3D-printed the physical polylactic acid (PLA) sculptures that intend to represent 2D digital forms seen on-screen. Presented in iridescent shades of bright green, yellow and purple, the sculptures are ambiguously shaped, with a liquid-looking texture that resembles molten lava.

In order to discover the new digital space dedicated to Audrey Large's solo show explore SCALE TO INFINITY.

section is proudly under the patronage of:
Introducing OS
An intimate space which helps creative minds thrive.
Discover. Share. Embrace.
Thisispaper Shop
Shop Now
Thisispaper+Guides
Discover the most inspiring places and stories through carefully-curated travel guides.
Explore all GuidesExplore channels